With rare exceptions, I seldom know when I bought a book that I’ve finally picked up to read. Surprisingly, I remember when and why I purchased Tim McNulty’s Ascendence. I bought it in February 2023 because an environmental group I belong to was promoting him as a guide for a trip on the Olympic Peninsula. I prefer to explore the Olympics on my own and have been doing so for nearly 60 years, but I was surprised that I had never heard of McNulty and wondered what he had to say about an area I love.
I identified with many of his poems particularly those where he describes his daughter Caitlin’s experiences in the woods. One of my fondest memories is my first backpacking trip with my kids in Olympic National Park. Dawn insisted I was trying to kill her when we got to a crossing point too late, and the high tide made it difficult to cross; she wasn’t any happier when we had to climb a ridge using a rope to pull us up one side and lower us slowly on the other side. Tyson just plain didn’t want to carry his own sleeping bag, so I ended up with it on the top of my pack, hitting me in the head every other step. Still, neither complained when the deer wandered into our camp the next morning to say hello and when we saw a pod of Orcas just off the shore. Those kinds of experiences bind you forever.
I thought about quoting one of those poems here because I did like them so much, but decided that “Varied Thrush Calling in Autumn”resonated even more deeply. McNulty is reacting to a painting by Morris Graves, as he points out in “Notes to the Poems”. Unfortunately, I wasn’t able to find a link to that particular painting anywhere on the net, though there are a lot of Morris’s bird paintings online. McNulty points out that it was painted at the outbreak of World War II, just before Morris’s internment as a conscientious objector.
The poem reminded me a lot of Thomas Hardy’s “The Darkling Thrush,” which was written in 1900, just as Europe was moving towards World War I. As I’ve mentioned before, this poem made me change my college major from Physics to English.
The Varied Thrush happens to be one of my favorite birds, one that spends Summer high in the Cascades or the Olympics —and, hopefully, Winter in my backyard searching for insects in the leaves I’ve piled up for it.
“VARIED THRUSH CALLING IN AUTUMN”

It may not be entirely relevant in this poem. Still, anyone familiar with the Varied Thrush would know that its brilliant orange-and black-plumage would contrast with the “dark-washed” browns in the landscape almost as much as its brilliant song contrasts with the natural silence of the wilderness.
For me, the poem, like the drawing that inspired it, captures a moment of beauty in a world that is definitely not always so, never more so than in a time of war, whether it be World War II or the Vietnam War.
Luckily, such opportunities to discover beauty are not limited to times of war; they are available to anyone willing to venture forth in Nature, not just in Spring when Nature is at its loveliest, but even in late Fall when it’s so cold that even the birds begin to retreat to the lowlands.
The poem shows that small moments in the natural world can stabilize us, deepen us, and remind us how to endure tension without despairing.












