I started this record of our recent trip to the Bear River Migratory Bird Refuge with a shot of an American Avocet and a White-faced Ibis. If I had had a shot that included those two and a Black-necked Stilt, birds I call Tres Compadres because they are so often seen together. So, after featuring the other two, I thought I would end this review of our trip with some shots of the White-Faced Ibis.
I’ll have to admit that I usually end up presenting shots of White-faced Ibis last because I find them the hardest to edit. I shoot almost all my photos in RAW format because it gives me the best way to adjust colors. Unfortunately, it’s hard to know how to adjust shadows and whites in shots of White-faced Ibis so that the photo looks like what I actually saw.
I’m never really sure what I saw because the color of the plumage is never the same. ChatGPT offers this description of its color:
The White-faced Ibis is not actually white overall. Its body is predominantly a dark, glossy color that changes depending on the light.
Key coloration includes:
- Body: Deep chestnut-brown to dark reddish-brown.
- Wings and back: Iridescent, with metallic green, bronze, purple, and magenta highlights that shimmer in sunlight.
- Face (breeding season): A thin border of white feathers surrounds the bare reddish facial skin, giving the bird its common name.
- Eyes: Bright red in adults during the breeding season.
- Legs: Reddish to pinkish.
Outside the breeding season, the white border around the face becomes much less distinct or disappears, making the bird look darker overall.
So, although it’s called a “White-faced” Ibis, only the narrow facial border is white during breeding season. The rest of the bird is a rich, dark brown with a striking iridescent green and purple sheen.
To complicate matters, the birds like to feed in the reeds, which create their own irregular shadows. Even though I lightened this shot a little bit, the bright colors are barely noticeable. I’ll have to admit that because my glasses turn dark in bright sunlight, birds often seem darker than they really are.

This shot emphasizes the dark reddish chest, but I could have easily popped the colors so the chest stands out more than it does here, but that would have drawn attention away from that remarkable beak.

I “cheated” on this shot, lightening the subject and darkening the background because it was nearly white — certainly not the bluish color it appeared to be when I took this shot.

I really don’t like it when photographers “pop” the colors in scenics, making real-life experiences seem less powerful than they really are, but the more you work with photos, the more you learn that they are less realistic then they are representative.











